I don’t get particularly precious about things like this, though. Like the

I don’t get particularly precious about things like this, though. Like the record company said, “We need a radio edit that delivers the hook” – I don’t even know what they consider the hook in that song [“Oh No”] – “that delivers the hook sooner.” So I’m like, “Okay. I see that.” And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I’ve created? And I’m like, “Great. I get to tinker with it, I get to mess with my song some more.”