Perhaps the more ‘operatic’ video pieces were a reaction to my knit sculpture, which kept me isolated for so long in the studio that the videos were a way for me to be social and flamboyant and to change my mind all the time. Because when I did the knit pieces, once I committed myself to a piece I was locked into an idea and the only thing that could really move was my mind. The early video pieces were a way for me to express what was going on in my mind.
