I intend Deaths in Venice to contribute both to literary criticism and to philosophy. But it’s not “strict philosophy” in the sense of arguing for specific theses. As I remark, there’s a style of philosophy – present in writers from Plato to Rawls – that invites readers to consider a certain class of phenomena in a new way. In the book, I associate this, in particular, with my good friend, the eminent philosopher of science, Nancy Cartwright, who practices it extremely skilfully.
