In Technologized Desire, the cultural pathologies that mark the panic ecstasy and terminal doom of the posthuman condition are powerfully rehearsed in the language of science fiction. Here, images of prosthetic subjects, zombies, cut-ups and armies of the medieval dead actually slip off the pages of literature to become the terminal hauntology of these technologized times. Technologized Desire is nothing less than a brilliant data screen of future memories. Read it well: it's a survival guide for bodies flatlined by the speed of accelerating technology.
Which is to say that culture is not a reflex of political economy, but that society is now a reflex of key shifts in music theory and practice.... [Sampladelia is] the sound made by those early-twentieth-century discoveries in particle physics and relativiity theory, the projection of the minds of Einstein, Heisenbery, and Bohr, their fateful explorations of liquid time, curving space, uncertainty fields and relativity theorems, into densely configured and fully ambivalent android music tracks