And that, to me, is the main attraction to comics. It’s an avenue to say what you want to say. — Bill Sienkiewicz
But I’m aware of the fact that I’m working in a commercial venue where I’m producing something — Bill Sienkiewicz
Especially with elektra, because I’m doing a lot of the covers for the new version of elektra. — Bill Sienkiewicz
For a while I felt very alone; sort of out there in the world of comics, especially here in the states. — Bill Sienkiewicz
Do the story in the way it really demands to be done, which may mean using several — Bill Sienkiewicz
I was lucky enough to be given books that weren’t top sellers; books that were kind of under the radar. — Bill Sienkiewicz
If you’re going to establish a certain level of unreality than you have to deal with it. — Bill Sienkiewicz
People who can pull you in and take you on a journey, as opposed to simply adding flash. — Bill Sienkiewicz
Like Godfather, you look at a movie like that, or something that james gray has directed — Bill Sienkiewicz
Nothing is really media driven or committee driven, so you can actually just produce something. — Bill Sienkiewicz
One of the problems I have with a lot of movies these days is that everything is too well lit. — Bill Sienkiewicz
So I look at a lot of stuff now that I did and some of it looks tame to me, but my interest in — Bill Sienkiewicz
That was a real learning element for me, because I realized that the more true you are — Bill Sienkiewicz
There is a whole generation of people who are going to see movies or watch tv who don’t want to work. — Bill Sienkiewicz
So, when the special effects are at the service of the story and draw you into it, that is really the magic. — Bill Sienkiewicz
You’re telling the story, creating the sets, doing the lighting, the designing, and establishing the pace. — Bill Sienkiewicz