It was like time would stop, and the dancer would sort of step through some kind of portal and he wasn't doing anything different than he had ever done, 1,000 nights before, but everything would align. And all of a sudden, he would no longer appear to be merely human. He would be lit from within, and lit from below and all lit up on fire with divinity. And when this happened, back then, people knew it for what it was, you know, they called it by it's name. They would put their hands together and they would start to... Read more »
He endeared himself to me forever the first night we met, when I was getting frustrated with my inability to find the words I wanted in Italian, and he put his hand on my arm and said, "Liz, you must be very polite with yourself when you are learning something new.
I have no nostalgia for the patriarchy, please believe me. But what I have come to realize is that, when that patriarchic system was (rightfully) dismantled, it was not necessarily replaced by another form of protection. What I mean is--I never thought to ask a suitor the same challenging questions my father might have asked him, in a different age.
To sit patiently with a yearning that has not yet been fulfilled, and to trust that, that fulfillment will come, is quite possibly one of the most powerful "magic skills" that human beings are capable of. It has been noted by almost every ancient wisdom tradition
The Yogic sages say that all the pain of a human life is caused by words, as is all the joy. We create words to define our experience and those words bring attendant emotions that jerk us around like dogs on a leash. We get seduced by our own mantras (I'm a failure I'm lonely I'm a failure I'm lonely) and we become monuments to them. To stop talking for a while, then, is to attempt to strip away the power of words, to stop choking ourselves with words, to liberate ourselves from our suffocating mantras.
I'm trying to dismantle a stereotype that in order to live any kind of creative life, you have to be in torment and suffering. We're addicted to this idea because it makes for good bio pics...but I actually think it's better to live a life where you're constantly exploring your curiosity and creativity.
Traveling is the great true love of my life... I am loyal and constant in my love of travel. I feel about travel the way a happy new mother feels about her impossible, colicky, restless newborn baby - I just don't care what it puts me through. Because I adore it. Because it's mine. Because it looks exactly like me.
It's not an accident that both my sister and I are writers. Our parents created an accidental Petri dish. My family has great storytellers, and I grew up in a very funny, conversational house and didn't have television. This small family farm was a bubble world that didn't have much to do with reality.
The trick at every turn was to endure the test of living for as long as possible. The odds of survival were punishingly slim, for the world was naught by a school of calamity and an endless burning furnace of tribulation. But those who survived the world shaped it--even as the world, simultaneously, shaped them.
Moss grows where nothing else can grow. It grows on bricks. It grows on tree bark and roofing slate. It grows in the Arctic Circle and in the balmiest tropics; it also grows on the fur of sloths, on the backs of snails, on decaying human bones. ... It is a resurrection engine. A single clump of mosses can lie dormant and dry for forty years at a stretch, and then vault back again into life with a mere soaking of water.
I want to have a lasting experience with God. Sometimes I feel like I understand the divinity of this world, but then I loose it because I get distracted by my petty desires and fears. I want to be with God all the time. But I don't want to be a monk, or totally give up worldly pleasures. I guess what I want to learn is how to leave in this world and enjoy its delights, but also elevate myself to God.