Since the 1960s, exile for Haitians is a condition that ends only to begin again. — Madison Smartt Bell
Imaginative writing has always been a solitary and indeed a somewhat antisocial — Madison Smartt Bell
Edwidge Danticat’s prose has a Chekhovian simplicity–an ability to state the most — Madison Smartt Bell
In TheColorful Apocalypse, Greg Bottoms explores the frontier between inspiration and psychosis — Madison Smartt Bell
Jeremy Popkin’s collection of first-person narratives of the Haitian Revolution is an — Madison Smartt Bell