From its aptly noirish title on, Martin Preib's The Wagon has rightness of authenticity about it. From the perspective of a cop he fashions a compelling view of the Chicago Algren once called 'the dark city.' There's a unique quality to his essays which manage to be broodingly meditative even as their narrative drive keeps you turning pages.
Well met, Mistress Lirael. This ragamuffin, as your servant so aptly described him, is His Highness Prince Sameth, the Abhorsen-in-Waiting. Hence the bells. But on to more serious matters. Could you please rescue us? Prince Sameth's personal vessel is not quite what I'm used to, and he is eager to catch me a fish before my morning nap.
Saigon, U.S.A. aptly documents the birth of a new American community, uprooted in the aftermath of war and forever torn apart by the wounds of the past, yet one capable of healing against all odds. An engrossing yet succinct film that captures not only a major incident in Vietnamese American life, but also an important chapter of American history. A profound film that manages to confront us with the deepest sorrow while allowing us to be hopeful about what it means to be human.
Oh, dear God, thank you, you are such a good God to us. A kind and gentle and accommodating God, and we thank You oh sweet, sweet Lord of hosts for the smörgåsbord You have so aptly laid at our table this day, and each day, by day, day by day, by day oh dear Lord three things we pray to love Thee more dearly, to see Thee more clearly, to follow Thee more nearly, day, by day, by day. Amen.
Assume a virtue, if you have it not. That monster, custom, who all sense doth eat, Of habits devil, is angel yet in this, That to the use of actions fair and good He likewise gives a frock or livery That aptly is put on. Refrain tonight, And that shall lend a kind of easiness To the next abstinence; the next more easy; For use almost can change the stamp of nature.