Space is an environment of emptiness. It offers no possibility for natural adaptation to any living organism - and particularly not to the highly sophisticated creature, man. Yet man has the ability to resolve this paradox through his intellectual power and creative faculties.
For the first time in history, the rational and the good are fully armed in the battle against evil. Here we finally find the answer to our paradox; now we can understand the nature of the social power held by evil. Ultimately, the evil, the irrational, truly has no power. The evil men’s control of morality is transient; it lives on borrowed time made possible only by the errors of the good. In time, as more honest men grasp the truth, evil’s stranglehold will be easily broken.
The mental game of business is understanding this Paradox: the better you think you are doing, the greater should be your cause for concern: the more self-satisfied you are with your accomplishments, your past achievements, your 'right moves', the less you should be.
Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass.
On the one hand, we all want to be happy. On the other hand, we all know the things that make us happy. But we don't do those things. Why? Simple. We are too busy. Too busy doing what? Too busy trying to be happy. This is the paradox of happiness that has bewitched our age.
The existence of God is not logically necessary, and yet, on the basis of some profound peculiar empirical order in the universe, it seems that He exists as the ultimate uncreated Being, implying a paradox, as no logically unnecessary entity can be uncreated. This paradox is the ultimate question asked by God, who is nothing but the ultimate questioner.
Above all, creators remain drawn to the age-old paradoxes that philosophy grapples with [and]...that art occasionally resolves...the problem of the one and the many; unity and variety; determinism and freedom; mechanism and vitalism; good and evil; time and eternity; the plenum and the void; moral absolutism and relativism... These are the basic problems of human existence, and as far as we possibly can we arrange things to forget them.