Once in a while a good opportunity would come along, like the first ‘Playhouse 90 ever to air – working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time – studios didn’t know where to go anymore, they were falling apart, television was there. They didn’t know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
