It’s true, I do sometimes suspend myself over the canvas, but mostly I work at a table when I’m making a painting. When I use ‘The Rig,’ my feet are firmly anchored. I lower myself horizontally just long enough to make a brush stroke – a matter of seconds – and then I’m upright again. My assistant then erases the painting quickly with a squeegee and I go for it again… until I get it right. It’s like trying to hit a home run.
