But, in addition, there is, all through the tragedy, a constant alternation of rises and falls — Andrew Coyle Bradley
Both brutus and hamlet are highly intellectual by nature and reflective by habit. — Andrew Coyle Bradley
A shakespearean tragedy as so far considered may be called a story of exceptional — Andrew Coyle Bradley
Job was the greatest of all the children of the east, and his afflictions were well-nigh — Andrew Coyle Bradley
In the first place, it must be remembered that our point of view in examining the — Andrew Coyle Bradley
In shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: — Andrew Coyle Bradley
In approaching our subject it will be best, without attempting to shorten the path by — Andrew Coyle Bradley
We cannot arrive at shakespeare’s whole dramatic way of looking at the world from his tragedies alone — Andrew Coyle Bradley
Nor does the idea of a moral order asserting itself against attack or want of conformity answer — Andrew Coyle Bradley
Most people, even among those who know shakespeare well and come into real contact with his mind — Andrew Coyle Bradley
Shakespeare’s idea of the tragic fact is larger than this idea and goes beyond it — Andrew Coyle Bradley
Shakespeare very rarely makes the least attempt to surprise by his catastrophes. — Andrew Coyle Bradley
We might not object to the statement that lear deserved to suffer for his folly — Andrew Coyle Bradley
When shakespeare begins his exposition thus he generally at first makes people talk about the hero — Andrew Coyle Bradley
